Name: Seemant Chourey
Hometown: Ujjain, Madhya Pradesh , India
Where you live now: Hyderabad, Telangana,India
Background/Occupation: I am an architect. After my graduation in Architecture from MITS Gwalior. I work for 2yrs in Kolkata and New Delhi. Currently I am student of Design Mdes (Masters of Design) at IIT Hyderabad. My areas of study during this master program are HCI, UI/UX, interaction design, Visual design, Photography, Product design and architecture.
Aesthetic Technology Preferences:
DIMENSION/SCALE: 3D (three dimensional)
MATERIALS: Stone, Steel, Glass and concrete
PERMANENCE: Non Perishable
LEVEL OF ABSTRACTION IN FIGURES: Mimetic (imitates in abstract form)
SUMMARY:I like the 3d forms which are big in scale, attract them, which can fully cover the people, surprise them, make the think about the structure, peoples can enjoy that from, think themselves as the part of that form. The materials stone, steel, glass and concrete are challenging in use for tough forms, but these materials has quality to create something meaning full. I like to create huge forms which is useable and spread the positive aesthetic energy around it.
What is your favourite colour?
Orange
What do you think of when you think of the colour blue?
I think about the blue city Jodhpur, India
What are three cultural values that are important to you?
Humanity, Freedom, and Friendliness.
Provide five images of things coloured blue that have meaning for you and describe why they have meaning.
Colour of sky and the colour blue was used for decorating Gwalior fort, which is still remains on fort wall after centuries.
Sky line of Blue city Jodhpur, Rajasthan, India. The houses of this city coloured in blue which make this city different from other cities also
I like the deep blue colour on peacock, which is attractive and intensive.
I like the blue Pottery, which help to make colours attractive.
Blue Beaded Table Runner Indian Tapestry Handicraft Vintage Sari which is wear by the woman’s of Rajasthan, it looks beautiful with the use of local art.
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